That Floating Poo Was Way Too Meaningful! These Are the Television Disappointments of the Year.
Looking back, we reflect on the TV offerings of the recent year, a handful of shows stand out not for their brilliance, but for their spectacular shortcomings. Ranging from awkward sequels to bafflingly poor docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this love/hate follow-up? Burdened with woeful scripts, cringe-inducing character development (justice for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final series started, it seemed as if it had at last found its groove. Then came an installment all about Seema’s natural deodorant. Little surprise the showrunner declared this would be the last series. It concluded on a low point; the closeup of Miranda’s toilet flooded with poo was simply too on-the-nose. Yet, viewers undeniably found joy dissecting every single “wtf?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? The answer is a resounding no.’
But that was almost the smallest of this drama's problems. The recipient of a very rare no-star review, it was difficult to know where to start listing the problems. The laughably leaden writing? The tedious glorification of wealth and materialism? The almost deliberate procession of cliches? Performances so bad they felt almost spiteful? Let’s just say “all of the above” and never speak of this series again. However, a new season has been ordered, so we’re likely going to have to.
AKA Charlie Sheen
Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not you’d really have known it from this three-part documentary which chuckled along at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any pity this show might evoke should be reserved for the people who have had to endure proximity with this charming but dismissive egotist.
The Iris Affair
Naturally we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call giving up the ghost.
MobLand
Shady characters meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back.
In truth, that is harsh on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were plenty of other issues. Primarily that it was just really boring; a dispute over narcotics territory between various London picaresques which seemed a bit basic.
With Love, Meghan
Given the extent to which she provokes the ire of the nation’s ostentatiously angry commentators, it’s temptingly easy to applaud the Duchess of Sussex’s various ventures into twee homemaking as intentional provocations. But then you watch them and are compelled to concede that actually, they might have a point. It’s like watching a lifestyle magazine animated; a poster for wine o’clock with ideas of grandeur; a procession of snoozing dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, largely unearned wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be discussed about regarding Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for some reason, this three-part series chose not to say them. Rather, the experience was akin to consuming a marketing catalogue. She clearly has good reason to bridle at what she describes as her “stern” image. But sadly, she didn’t do herself any favours with this guarded letdown of a series.
The Inheritance
It should have been the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality overseeing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up smelling of a programme that was trying way too hard to emulate something way beyond it.
The Lena Dunham Romcom
How does one follow a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was not enough. Plus, the abundance of celebrity cameos involved felt icky.
The Sketch Show Return
Not even good enough to be ‘patchy’.
Given the shrewd inclusion of talented younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a single joke milked to a husk but recurring in every episode. One star seemed too ready to slip into a familiar irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have stayed in there a while longer.
The Twisted Tale of Amanda Knox
This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lurching from oddly breezy, somewhat mannered farce to ultimately, real-life horror. Twisted? Perhaps. A total mess? Very much so.
The Maths Genius Thriller
We love the star … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the verge of a breakthrough that could destabilise society? No! This international thriller about government agencies spying on – and eliminating – intellectuals honestly got more farcical by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This uncritical portrait followed the content creator renowned for sexual exploits as she undertook her biggest challenge yet. What on earth would motivate her? What we craved was way more interrogation of her true psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.